My current body of work, consisting of hand-worked, embellished textile assemblages, hinge on intersections and the inherent tension, disorientation, and anxiety arising from conceptual and material collisions.

Working with a fine craft medium within a fine art structuring of concept and presentation is itself a subversive act, meant to posit a conflict of aesthetic assumptions. Incorporating personal narrative and popular culture iconography within Catholic-inspired compositions, the medium of embellished textiles enables the investigation of polemic or emotionally murky subject matter with a material that can be a decorative foil for the content. Thoroughly complex and work-intensive creative processes attract me; the process becomes a type of meditative labor of stitching symbols and binding narratives.

Imbued with a Catholic aesthetic, my pieces in composition and content refer to both to the devotional and decorative. They are my personal altars, embedded within a ritualized context. I draw inspiration from objects that embrace artifice and decoration: Haitian prayer banners, Gothic reliquaries, Byzantine mosaics and paintings, Vienna Secession art and architecture. My aim is to create beauty—works that have the capacity to be seductively decorative in form and emotionally disconcerting in content.